bullock / works / editions /The official website of artist Andy Bullock
(Installation view of recent solo exhibition – AWAKEN)
Andy Bullock is an interdisciplinary artist working across all media. His work encompasses many diverse themes, often underscored by a strong interest in the personal and interpersonal and what makes us fragile; human. He has several large projects currently in production including a proposed long term ‘Legacy’ series looking at the impact of humanity on the planet in this period of great change and uncertainty – now widely referred to as the anthropocene.
Having recently completed an MFA (master’s degree in fine art) I am pleased to now be able to share some of this new work. These paintings (which I refer to as unpaintings) are the first in a proposed extended series investigating the notion of the theoretical, mathematical knot. The work is inspired by the life and work of noted mathematician Clifford Hugh Dowker (1912-82) – most well known for his endeavours in the field of topology, including sheaf theory and knot theory, all widely studied today. The paintings here alongside sculpture, photography and video installation will all go to create a new, planned show ‘The topological consequence of being // and the space between us’ It is hoped that the first public exhibition of the work will be at the Andrew Wiles building, Mathematical Institute, University of Oxford in Summer 2021. More painting and sculpture from the show click here.
‘The Rape of Gaia’ 2021
A new work in the ‘Anthropocene’ series.
Strictly limited, signed, dated and numbered prints soon to be issued in various formats and sizes.
Aluminium mounted giclee large format prints, photographic c-types and unique silkscreen prints.
Early enquiries and print reservations please email here.
‘God Bless America’ 2005/20.
103cm x 125cm x 3cm, cast plaster, razor wire, barbed wire, acrylic.
I made and first exhibited this sculpture as part of the ‘Peace Not War’ campaign during the (second) gulf war in 2005.
Sadly today (time of writing 4th November 2020) it feels as frighteningly relevant as when it was first conceived.
Strange days indeed.
The Demon Studies (2020)
These paintings were made in May 2020 when the UK was in the throes of Covid-19 pandemic fear and the surreal world of near total lockdown.
They are genuine ‘stream of consciousness’ works, neither pre-planned nor pre-imagined. They took on a life of their own and subsequently became the basis for a more considered response in the form of some 3D sculptural pieces currently in production and provisionally known as ‘Tensile Distortions’.
The paintings are all acrylic and oil pastels on paper – various sizes.
More work from the project can be seen here.
Bone Shadow Paintings (2020)
‘Obsidian – deep/dark (Bone Shadow V)’
40cm x 40cm – acrylic on canvas
The first steps towards a new body of work reflecting the effects of the Anthropocene on the planet. These paintings reference the widely understood notion that in one million years time (by which time the human race will almost certainly be extinct) the most significant geological marker that the future’s archeologists are likely to find, as evidence of our occupation of the Earth, will be chicken bones. We currently consume 65 billion birds per year, the majority of which will end up in landfill sites; the perfect environment for future fossilisation. See more paintings in the series here.
A selection of these paintings now currently showing at Darl-e and the Bear gallery in Woodstock, Oxford.
‘The End of Days (Black Narcissus)’ 2019
Outline concept for a series of screenprinted works and a multimedia installation involving sculpture, film and sound. This work is supported by the text of an essay written in 2019 which examines the prevalence and tendency towards ‘Ultra Narcissism’ among some of social media’s most prolific users.